Northern Minnesota is the focus for these works, combining photography with prose poetry, itself a form which resists easy definition, to explore perception and the interaction of images and language.
Anne Weisgerber discusses and reads her flash fiction piece She Curled Tight for Long Exposure Magazine. For more flash fiction like this, purchase Issue 4 of Long Exposure Magazine here.
Gabriel Rosenstock discusses the philosophy of Haiku and the ability of the form to disrupt everyday ways of seeing and thinking. ‘Emptiness’, his collaborative work with American Photographer Ron Rosenstock, is out now from Long Exposure Press.
£4.99 (Digital Edition) Preview and Buy Now. ‘Through photography I have sought to explore the space between the finite and the infinite. For me, infrared photography is on the borderline, the veil between the known and the unknown … a search for what is beyond the doorway of perception. What draws me—what speaks to me—is […]
Long Exposure Magazine has now been publishing for 2 years!
Long Exposure Magazine is now offering feedback and guidance on a selection of your poetry.
Further opportunities at Long Exposure Magazine.
Hear Keith Moul read four prose poems featured in Issue 3.
For the next issue, Long Exposure is opening up submissions to fiction, specifically very short fiction of 700 words or less. In previous issues we explored traditional short forms such as the haiku (Issue 2), and how an economy of language and sharpness of observation can heighten the impact on the reader by using a […]
Long Exposure, Issue 3 is now available!
Jane R Rogers has been writing poetry for around five years and currently takes classes at the Poetry School. She is a member of the Magma Poetry Magazine team and the Greenwich Poetry Workshop in London. Jane finds ideas come easy but that the hard work is in the editing, where she finds feedback invaluable. Jane lives in London but misses the West Country.
Keith Moul’s poems and photos have been published widely. Finishing Line Press released a chapbook called The Future as a Picnic Lunch in 2015. Aldrich Press will publish Naked Among Possibilities in 2016.
Dairena Ní Chinnéide is a bilingual poet from the Dingle Peninsula in south-west Ireland, where she lives and works. Among her seven published poetry collections are the bilingual ‘An Trodaí & Dánta Eile / The Warrior and Other Poems” by Cló Iar Chonnacht and her most recent Irish language work ‘ Cloithear Aistear Anama’ by Coiscéim. She has represented Ireland at numerous festivals, conferences and readings throughout Ireland, in Europe and the U.S.A.
For our next issue, Long Exposure Magazine is seeking photography or visual art based on the theme of ‘Movement’. The representation of movement, such as the play of light, the movement of animals or the actions of figures, have been a long standing preoccupation for the techniques of creative writing and the visual arts. The […]
Submissions are now open for our third issue! So far, the magazine has been fortunate enough to engage with and publish fascinating collaborations between creative writing and the visual arts, and we continue our interest in this type of project, whatever media is involved. We are always open to new projects being brought to our […]
The new edition of Long Exposure Magazine is ready! Featuring an internationally diverse range of creative work in a variety of forms. Access it here: http://joom.ag/g6Ob Please enjoy the issue and share! Support Long Exposure on social media: Facebook: Long Exposure Magazine Twitter: @longexposuremagazine
The second issue of Long Exposure Magazine will be made available online from this Friday, 19th June. The edition is focused on a variety of eastern poetic and artistic forms, and features the collaborative work of Ron Rosenstock and Gabriel Rosenstock, combining haiku and photography, a sequence based on the art of Hiroshige, several examples […]
Negro Quarter, Tupelo, Mississippi, March 1936 The barn-slab of board and batten must be a house: tin roof propped above the porch, four over four window, wood shingles clumsy as a mouthful of store-bought teeth. The whole thing slants to the left, toward a courthouse white against white sky. The slim black man in neat […]
Provisional cover for the upcoming issue, featuring Haiga art work by Gabriel Rosenstock and Ion Codrescu. Submissions for our Eastern poetic forms specialism as well as other textual and visual work remain open. See our submissions guidelines for further details.
A high vantage point; The sea’s sheet of blue linen Stretched between sparse trees.
Waves within earshot; Often, at the end of land We find belonging. Haiku and photography by Daniel Williams.
With the argument he resumes Before the next harsh pull, An ashen trail lengthens On the vinyl top. The cigarette shortens to a stump. Poem by Daniel Williams.
The lighthouse suggests; A shoreline’s solidity, The firmness of stone. Photography and Haiku by Daniel Williams.
A town scrutinised Through the arch’s crafted wound; A mouth opening. Photography and Haiku by Daniel Williams.
The slow tide recedes; A network of arteries, The light’s lasting print. Haiku and photography by Daniel Williams.
Personal effects repatriated jumble remains remaindered Part of Long Exposure’s ‘Looking Back’ project for National Poetry Day. Bio: Tracey Walsh has recently had work featured in Long Exposure. She tells us about the background to this poem: Walter Walker (an uncle of my dad, also Walter Walker) enlisted in the army in 1915, aged 17 […]
In preparation for National Poetry Day (2nd October) Long Exposure is drawing on the theme of ‘remember’, requesting submissions of new work in response to photographs or images which document history, both personal and otherwise, and which allow a shift from the present into another space or time. We feel strongly that there is a […]
Webbed garden spider strung badminton net fashion your luncheon is served Bio: Tracey Walsh has been enjoying life since early retirement in 2013. Indulging a lifelong love of crime fiction by starting a book review blog, she has also discovered a new interest in photographing local Lancashire countryside and wildlife. This is Tracey’s first attempt at […]
His oar dips and turns, Measuring the water’s pulse; A sketched line of light. Photography by Kathryn Colling. Haiku by Daniel Williams.
A stretch of colour,Anchored through light and water;Doubled then dissolved. Haiku and photography by Daniel Williams.