Gabriel Rosenstock discusses the philosophy of Haiku and the ability of the form to disrupt everyday ways of seeing and thinking. ‘Emptiness’, his collaborative work with American Photographer Ron Rosenstock, is out now from Long Exposure Press.
‘The richness of this book lies not in any one person’s contribution, but in the fertile space between them – between word and image, between languages, between word and silence, between landscape and light.’
Long Exposure Magazine has now been publishing for 2 years!
Long Exposure Magazine is now offering feedback and guidance on a selection of your poetry.
Further opportunities at Long Exposure Magazine.
Hear Keith Moul read four prose poems featured in Issue 3.
For the next issue, Long Exposure is opening up submissions to fiction, specifically very short fiction of 700 words or less. In previous issues we explored traditional short forms such as the haiku (Issue 2), and how an economy of language and sharpness of observation can heighten the impact on the reader by using a […]
Long Exposure, Issue 3 is now available!
Lesley Burt lives in Christchurch, Dorset. Her poetry has been published online, in magazines and anthologies including Tears in the Fence, The Interpreters House, Sarasvati, The Cinnamon Anthology, Long Exposure and Lancaster University’s Flash. Her chapter, ‘Considering connotation: the impact and implications of language in poetry’ is included in Teaching Creative Writing (2012) ed. Elaine Walker.
For our next issue, Long Exposure Magazine is seeking photography or visual art based on the theme of ‘Movement’. The representation of movement, such as the play of light, the movement of animals or the actions of figures, have been a long standing preoccupation for the techniques of creative writing and the visual arts. The […]
Bio: an’ya is the haigo (haiku nom de plume) of Andja Petrovic. an’ya loosely translates to “a peaceful light in the moonless night.”
Submissions are now open for our third issue! So far, the magazine has been fortunate enough to engage with and publish fascinating collaborations between creative writing and the visual arts, and we continue our interest in this type of project, whatever media is involved. We are always open to new projects being brought to our […]
The new edition of Long Exposure Magazine is ready! Featuring an internationally diverse range of creative work in a variety of forms. Access it here: http://joom.ag/g6Ob Please enjoy the issue and share! Support Long Exposure on social media: Facebook: Long Exposure Magazine Twitter: @longexposuremagazine
The second issue of Long Exposure Magazine will be made available online from this Friday, 19th June. The edition is focused on a variety of eastern poetic and artistic forms, and features the collaborative work of Ron Rosenstock and Gabriel Rosenstock, combining haiku and photography, a sequence based on the art of Hiroshige, several examples […]
But the house’s heart is dark and sweet
with sage and lavender, with the scent of grass and lake
protecting its guests from the hot wind, the drought,
and the smoke to the water’s edge.
‘The optimism you had –
being an old man
with crippling arthritis –
for life, health,
the beauty and vigour it could afford….’
foirfe amach is amach – ciúnas an laindéir ar a chrúca utterly perfect – the silence of a lantern on its hook Gabriel Rosenstock (Composition in Irish Gaelic and English) まこと見事な― フックにかかった ランプの沈黙 Mariko Sumikura (Japanese Translation)
Negro Quarter, Tupelo, Mississippi, March 1936 The barn-slab of board and batten must be a house: tin roof propped above the porch, four over four window, wood shingles clumsy as a mouthful of store-bought teeth. The whole thing slants to the left, toward a courthouse white against white sky. The slim black man in neat […]
Provisional cover for the upcoming issue, featuring Haiga art work by Gabriel Rosenstock and Ion Codrescu. Submissions for our Eastern poetic forms specialism as well as other textual and visual work remain open. See our submissions guidelines for further details.
Waves within earshot; Often, at the end of land We find belonging. Haiku and photography by Daniel Williams.
With the argument he resumes Before the next harsh pull, An ashen trail lengthens On the vinyl top. The cigarette shortens to a stump. Poem by Daniel Williams.
I cannot find myself in a threatening form with bird’s head. I stand naked on a beach. I was of two selves and met my other self walking towards me down a familiar street. Art’s created from heart’s blood. I paint Self Portrait in Hell, a blood vessel bursts in my eye. My relationship with […]
you can almost hear a siren’s distant howl his cigarette is fresh and will take a while to smoke – she will stand and wait for an answer their window is closed against the night air, noise and car fumes – they prefer their own temperatures and aromas, half undressed or dressed her perfume stronger; […]
The label on my suitcase … … reminds me I do not belong. Outside, sky darkens over a line of could-be-anywhere mountains. Electric light casts shadows around plain walls, plain carpet, plain curtains; and the chair with no cushion where I drop my wrap; perch on the king-size bed, careful not to rumple its dull […]
The lighthouse suggests; A shoreline’s solidity, The firmness of stone. Photography and Haiku by Daniel Williams.
A town scrutinised Through the arch’s crafted wound; A mouth opening. Photography and Haiku by Daniel Williams.
The slow tide recedes; A network of arteries, The light’s lasting print. Haiku and photography by Daniel Williams.
White paste, skewed lips, hospital green you have been drained of blood your heart clenched tight around your throat your hair is an oil slick, a shield, a shadow the line down the centre of your face jags left and right, dodging bullets your ear is a walking cane your shoulders an encampment asteroids your […]
Personal effects repatriated jumble remains remaindered Part of Long Exposure’s ‘Looking Back’ project for National Poetry Day. Bio: Tracey Walsh has recently had work featured in Long Exposure. She tells us about the background to this poem: Walter Walker (an uncle of my dad, also Walter Walker) enlisted in the army in 1915, aged 17 […]
In preparation for National Poetry Day (2nd October) Long Exposure is drawing on the theme of ‘remember’, requesting submissions of new work in response to photographs or images which document history, both personal and otherwise, and which allow a shift from the present into another space or time. We feel strongly that there is a […]