Gabriel Rosenstock discusses the  philosophy of Haiku and the ability of the form to disrupt everyday ways of seeing and thinking.

‘Emptiness’, his collaborative work with American Photographer Ron Rosenstock, is out now from Long Exposure Press.



‘The richness of this book lies not in any one person’s contribution, but in the fertile space between them – between word and image, between languages, between word and silence, between landscape and light.’

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£4.99 (Digital Edition)

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‘Through photography I have sought to explore the space between the finite and the infinite. For me, infrared photography is on the borderline, the veil between the known and the unknown … a search for what is beyond the doorway of perception. What draws me—what speaks to me—is the mystery …’

– Ron Rosenstock

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Zen Stories: A Sequence by Daniel Williams


What is the answer
To that ancient problem?
Rain against glass,

The gutter’s low-
throated street song;

Every evening, he could measure progress
by the packed snow collected
under his boot-soles.

Finally, he unlaced them, loosening
stiff leather to stark flesh,
accepting the cold.

Razor slip- the water clouding red
like a prophecy; he traces the torn skin,
recognising himself in the mirror.

Conclusion follows question, indistinctly;
at the door, she shares the wound
like an old master.


In the house of words
he had assembled,
he wrote the sign

for ‘permanence’
as the house


Starlings clustered
against the pier’s taut

the sea grinding shoreward,
its salt-tang resumed like a vow;
all one movement.

Bio: Daniel Williams is a poet and writer, and founding editor of Long Exposure Magazine.