A stretch of colour,
Anchored through light and water;
Doubled then dissolved.
Haiku and photography by Daniel Williams.
I champion the broken things:
Old-town busted concrete aprons
In front of renamed stores.
The quiet, soft, lurking decay
Slowly overcoming the catalogs left
On the floor of the abandoned ranch.
This is the straightening of the line:
The gentle, slow return to mean as
“New” and “improved” fade.
The field is gone, buried beneath future
Rubble of convenience and commerce.
Stalks that once drew bird and game
Draw gamers and the budget minded.
It wearies a memory to replace
What is here with what once was.
Natural overcome, replaced with synthetic.
Creation’s groaning is nearly audible.
I have no right to chatter,
It was a borrowed field.
The farmer passed on his debts.
Someone must pay. So the land and memory do.
Bio: Mark Hutton lives with his family in the mountains of Tennessee (USA). He is a writer, poet, avid blogger (intheperpetualruins.com) and clergyman. His writing ranges from fiction to theology/spirituality, farms and food to justice and conservation. Most days he can be found writing and consuming too much coffee or out in the woods.
What experience is created when the textual and the visual function in sync? ’Alchemy of Water’, a collaborative project between poets Tony Curtis and Grahame Davies and photographers Mari Owen and Carl Ryan, published in 2013 by Gomer Press, strongly informs the concept behind this project as a whole. The book lays both elements side by side. Each concise, imagistic poem is a direct reaction to the picture reproduced on its corresponding page. This allows the reader clear insight into their interaction, a dialogue between the Welsh landscape and two of its prolific writers. Here, Curtis senses the pull of national identity in the movement of the south Wales tide:
Dawn over Swansea Bay:
the wet sand is filling with sky.
The boat’s chains are a rich and heavy necklace.
Those rust-ochre links will tie you to this place
whatever the rise of the tide,
whatever the blue-grey weather brings,
whenever the sea sings in these chains.
The sparseness of Curtis’ language, the use of sibilance and its subsequent musicality, intimately crafts a broader semantic resonance to the image. Each poem presents how emotional content can be derived from the landscape and how it has been pictured, also acknowledging the continual draw of its specifics and uniqueness. The interaction between word and image, in any manifestation, is what this project aims to continue to explore.
This project maintains an interdisciplinary approach, interested in all matters textual and visual. Poetry is a specialism, but we will also be looking to feature travel/life writing, critical pieces and articles, and some short fiction. We have a current interest in textual work being presented in conjunction with photography or a sequence of photographs, but will also accept individual pieces of writing and photography in their own right. Alongside this we would be pleased to hear what informs the practitioner’s work and their interests. This content will be gathered with a view to producing a regular e-zine.
Work which has been previously published or is currently under consideration elsewhere will be accepted at this stage. The author will retain full rights to their work. The project is seeking to be a space where individuals can show case their work and ideas freely.
With this in mind, all submissions will receive an individual response, as we hope to enter into dialogue with new or up and coming writers and photographers, and will subsequently offer feedback and discussion of their work.
We run a further blog at: http://long-exposure.tumblr.com/
Submissions and other enquiries can be sent to: firstname.lastname@example.org. Please use ‘Long Exposure Submission’ as your subject, and send work either in the body of the e-mail or as an attachment. We are looking for a maximum of 6 poems or photographs or 2 to 3 prose pieces per submission, although photography submissions may be negotiable if the work is an extended sequence. You can also include a short bio detailing your work to date if you wish.
We look forward to reading and viewing your masterpieces.
What happens when words and pictures interact? How do texts and images help us understand ourselves and the world, and what is their value today? What can they tell us about aspects of our lives such as history and identity, both personal and further afield? What do we draw from them, as well as put into them?
These are some of the questions this project aims to explore.
We are looking to receive and discuss new, original or innovate writing and photography, keeping a very broad and open focus. The project aims to be a platform for new and emerging writers and photographers to present their work in a creative and encouraging environment, with the material gathered going toward the production of a regular e-zine.