Long Exposure Magazine was founded to feature creative writing, photography and other visual art, and explore the ways in which they can interact; how writing responds to other art forms and vice versa, and what new possibilities arise. Long Exposure now publishes a wide range of poetry, flash fiction, photography, art and illustration, as well as work which combines these forms from individuals and collaborators.
Gabriel Rosenstock, born 1949 in postcolonial Ireland, is a poet, haikuist, tankaist, and novelist with over 180 books published. Recent titles include the comic detective novel My Head is Missing (Evertype, 2016) and the ekphrastic haiku volume Judgement Day (The Onslaught Press, 2016) in response to the collages of the anti-Nazi artist Kurt Waldmann. Among his awards is the Tamgha I Kidmat medal for services to literature. He blogs at http://roghaghabriel.blogspot.ie/
His series as Writer-in-Residence for Long Exposure will see him responding through haiku to a range of photography from around the world, teasing out their narratives, ideas, and resonances.
‘At the end of each song he lays the saxophone on his lap, leans over and spits into a tin bucket. The floorboards under his chair are worn from years of heels tapping syncopated rhythms. His toe breaks through the sole of the boot, yet the shine remains jet black and sharp…’
Paul Rabinowitz reads his flash fiction piece Syncopated Rhythms for Long Exposure Magazine.
‘The richness of this book lies not in any one person’s contribution, but in the fertile space between them – between word and image, between languages, between word and silence, between landscape and light.’
‘Through photography I have sought to explore the space between the finite and the infinite. For me, infrared photography is on the borderline, the veil between the known and the unknown … a search for what is beyond the doorway of perception. What draws me—what speaks to me—is the mystery …’
Long Exposure Magazine has now been publishing for 2 years!
During this time the magazine has been fortunate enough to publish a fantastic range of poetry, photography, visual art and critical work from around the world. Many thanks to each contributor and reader who has been involved so far.
Issue 4 will add sharp and engaging short fiction to this output, featuring more writers and artists than any previous issue.
These are exciting times as we look to expand the magazine and above all promote high-quality creative work and those who are producing it.
Long Exposure Magazine is now offering feedback and guidance on a selection of your poetry. For an introductory fee of £10 you will receive rigorous feedback and editorial advice on a set of up to 5 poems through e-mail correspondence.
Editor Daniel Williams holds undergraduate and postgraduate degrees in literature and creative writing and has published poetry widely on-line and in print, including at Cadaverine, Ink, Sweat, And Tears, and Envoi. Alongside his work in editing and publishing, he has experience of teaching creative writing in a variety of contexts, from local community to university level.
Make your payment below and the editor will contact you to receive your work and begin your tutoring session. Any enquiries can be sent to firstname.lastname@example.org.
Further opportunities at Long Exposure Magazine.
Long Exposure is looking to put together a list of artists to work with frequently who can respond to the writing published in the magazine, through painting/illustration, photography and other visual art forms, to be featured alongside the creative writing pieces in each issue. This is an opportunity for regular publication and promotion. If you are interested in this project please contact email@example.com with a brief introduction and a sample of your work or links to some examples. You can see the type of work the magazine has published so far here.
For the next issue, Long Exposure is opening up submissions to fiction, specifically very short fiction of 700 words or less. In previous issues we explored traditional short forms such as the haiku (Issue 2), and how an economy of language and sharpness of observation can heighten the impact on the reader by using a minimum of words.
Definitions for this type of fiction are various, and as such our criteria are broad. Whether your pieces lean towards a fluid and poetic style or want to focus on delivering an engaging narrative in a tight space, we would love to read your work.
As usual we are open to poetry submissions on any style or theme, but with a particular interest in the Ekphrastic genre or work which combines text and image, as well as to photography and art work and collaborative projects between writers and artists.
If you have an idea for an essay or article, particularly on the relationship between creative writing and the visual arts, contemporary poetry and poetics, or the arts in education and society, contact the author to discuss.
All submissions and enquiries to: firstname.lastname@example.org
Memory, my dear Cecily, is the diary that we all carry about with us. – Oscar Wilde
The coal tit is being purposefully
its terse flight from hedge
to bike handlebar,
and seemingly off
only to be back on the bike briefly.
So many false promises
of departure, playing
with finality like a conifer seed
in its nippy beak, it revels
in its mastery of reprieve
with flippant swerves,
in a black bow tie and wing collar,
each drawn-out ending,
a sunflower seed
raided from a forgotten hoard.
with three toes facing forward,
and one backward –
able to cling to the vertical
without falling out
of the picture,
you are impossible to frame. This urge
to cup you like a soft bollock and squeeze,
is wrong, in a nutshell
but your pithy nature;
the impossibility of boiling down
spirit into sweetmeat
makes a play of thwarted possession:
agog to count
the freckles on your eggs
in their nest in a mouse hole,
to pop one in my mouth
and keep it forever, far from teeth.
This sky ceiling has been kindly donated by Patricia Madden Cancer Trust
Look up sister! Six blue squares,
but only one is clear, as cirrus clouds
permanently gather in the other five.
Look at the poster sister! A man
manages colour-coded strings,
so his gown doesn’t gape.
Look down sister! Flip
through a torn magazine.
See the ads: Breast Feeding is Best;
How to Enhance a Small Cleavage.
Look this nurse straight in the eye sister!
Smile. What are the odds you’re next?
Attention sister! All mammography patients
please remove deodorant or talcum powder
from the upper half of your body.
Look sister! If you have sensitive
breasts, this may hurt. Look up sister!
Outside, a black sky hangs open,
the moon impersonates a breast.